
JOE DIPIETRO - Book & Lyrics
Joe was born and raised off Exit 166 in New Jersey and thus has
been a Toxic Avenger fan for the last twenty years. He wrote the
book & lyrics to “I LoveYou, You’re Perfect, Now Change” which
is about to celebrate its tenth anniversary off-Broadway. The show
is the longest running musical revue in New York history and has
had hundreds of productions across the country and around the
world. His Broadway musical, “All Shook Up,” will embark on a
national tour starting in the fall.
He also wrote the book and lyrics to the award-winning musical,
“The Thing About Men,” which has played internationally. With David
Bryan, he wrote the musical “Memphis,”which has had two major
developmental productions and is currently being readied for its
future life in New York and around the country.
His play include the Edgar Award-winning mystery, “The Art of
Murder,” as well as the long-running hit comedy “Over the River and
through the Woods,” which has had over a hundred productions around
the world and is currently being developed into a feature film. He
lives in Manhattan and Connecticut, but his heart will always be in
New Jersey.

DAVID BRYAN - Music & Lyrics
Keyboard Player and Founding Member, Bon Jovi Singer/Songwriter
Composer, Lyricist and Programmer
David Bryan lives near Exit 109 off the Garden State Parkway. He
was conceived, born and raised in New Jersey. As a young man, he
saw The Toxic Avenger at a midnight showing in Newark, and from
that day on, he dreamed of writing a musical about the first mutant
superhero from his home state. This show is a fulfillment of that
dream.
David has accomplished some other stuff, too. He is the keyboard
player, songwriter and a founding member of Bon Jovi one of the
most successful bands in music history. They’ve sold over 100
million albums and played live for millions of people in 50
countries. They’ve survived and thrived the rock and roll years,
the grunge years, the rap years and everything in between. On the
band’s current CD Have A Nice Day, David and Jon wrote the song
Last Cigarette.
David has also written and released a solo record, Lunar Eclipse
(Rounder/Universal) an instrumental collection with a single vocal
bonus track highlighting all of the aspects of his training and
influences blues, classical, jazz and of course, rock &
roll.
In his time off from recording and touring with Jon, Richie and
Tico, David began a career as a composer and lyricist of musicals.
The song, Memphis Lives In Me, which he performs on Bon Jovi’s
recent box set, is actually from his musical, MEMPHIS — the story
of the first DJ in the South to play race music. MEMPHIS played to
critical and popular acclaim at North Shore Music Theatre outside
of Boston and at Theatreworks in Palo Alto, CA, and it’s currently
being readied for further productions.
In addition to his musical theatre compositions and writing with
bandmates Jon Bon Jovi and Richie Sambora, with whom he co-wrote
the band’s hit, “In These Arms,” David continues to write with and
for other artists. The most successful cover of a Bryan song may be
Curtis Steiger’s rendition of “This Time,” which was a major
International hit for him.
David has also dedicated his time to become a National Spokesperson
for VH1’s Save The Music Program, a nonprofit organization
dedicated to improving the quality of music education in America’s
schools.
For more on David, visit
www.DavidBryan.com

LLOYD KAUFMAN - Creator of the Toxic Avenger
“Without Lloyd Kaufman,” writes film critic Michael H. Klienschrodt
in the New Orleans Times-Picayune newspaper, “there probably never
would have been There’s Something About Mary, or Deuce Bigalow,
Male Gigolo.” Whether or not he would accept the credit (or blame)
for these raunchy, mainstream blockbusters, there can be no doubt
that what Kaufman has achieved is enormous. In 30 years, Kaufman,
along with partner Michael Herz, has built Troma Studios up to
legendary status as a bastion of true independence, the world’s
greatest concentration of camp.
In the late 1960s, Kaufman was enrolled at Yale University,
diligently working on a respectable degree in Chinese Studies. When
he was placed in a dormitory room with two film fanatics, however,
Kaufman was infected with a love of movies from which he never
recovered. In 1971, Kaufman met his future partner Michael Herz.
The Troma Universe was born in 1974 with a series of highly
original, sexy comedies such as Squeeze Play!, Waitress!, and other
titles ending with an exclamation point. These movies, independent
precursors to such later smash hits as National Lampoon’s Animal
House and Porky’s, did well financially, although Kaufman continued
to work on such outside productions as Rocky and Saturday Night
Fever. Kaufman’s relationship with mainstream Hollywood would not
last long.
Kaufman achieved new levels of success with his 1984 breakthrough
movie, The Toxic Avenger. The Toxic Avenger led to an animated
spin-off series, Toxic Crusaders, several different comic book
titles (published by Marvel and, most recently, Troma’s own
independent comic book imprint), and three sequels. Its success was
followed by a string of commercial and artistic triumphs that
blended fantasy, heavy action, comedy, and eroticism in a style
that the Cinemateque Francais described as “Tromatic,” including
the Class of Nuke-Em High trilogy, Sgt. Kabukiman NYPD, and Troma’s
War. These films created an entire generation of young fans who
rejected the pandering, commercial films of the mid-to-late 80s,
some of whom, such as Quentin Tarantino, Kevin Smith, Mike Judge,
Peter Jackson, and Trey Parker, went on to become filmmakers
themselves. Thanks to these admirers, Kaufman has been asked to
make cameo appearances in films like Trey Parker’s Orgazmo and
Richard Martini’s Cannes Man.
Lately, Kaufman and the Troma Team have begun to win respect from
even their harshest critics. Tromeo and Juliet became a surprise
theatrical and critical hit, earning the grand prize at the Fanta
Festival in Rome. Kaufman’s opus, Terror Firmer, inspired by the
book All I Need to Know About Filmmaking I Learned From the Toxic
Avenger, played for six months in Los Angeles alone. In addition,
Kaufman has been an honored guest at various international film
festivals and Troma retrospectives around the world. The San
Sebastian Film Festival, the British Film Institute, the
Cinematheque Francaise, the American Cinemetheque, the Chicago
International Film Festival, the UCLA Film Archives, the Tokyo Film
Festival, and the Shanghai International Film Festival are just a
few of the venues to have showered Kaufman with praise, lifetime
achievement awards, and lots of free booze.
In January 2000, Kaufman founded the TromaDance Film Festival,
which gives filmmakers and audiences alike the opportunity to enjoy
a broad spectrum of independent films for free. He has released a
feature length documentary about the Cannes Film Festival, entitled
All the Love You Cannes: An Indie’s Guide to the Cannes Film
Festival. His second book, Make Your Own Damn Movie, is in its
second printing and has inspired him to teach a series of
filmmaking Master Classes at colleges and institutions across the
country. He is also the co-author of the The Toxic Avenger novel,
published in June 2006. Kaufman most recently went behind the
camera again for a chicken-zombie filled satire about the fast-food
industry called Poultrygeist.

JOHN RANDO - Director
John is the Tony Award-winning director of Urinetown. Other
Broadway credits include The Wedding Singer (nominated best
musical), Neil Simon’s The Dinner Party and A Thousand Clowns. In
2005, he directed the Canadian premiere of Urinetown (winner of six
Dora Awards, including Outstanding Production and Outstanding
Direction). For City Center Encores! he directed Strike Up the
Band, Do Re Mi, The Pajama Game and Of Thee I Sing. In 2004, Rando
directed the inaugural presentation of The Downtown Plays for
Tribeca Theatre Festival. Other Off-Broadway credits include Bright
Ideas (MCC), Polish Joke (MTC), Mere Mortals (Primary Stages),
Things You Shouldn’t Say Past Midnight (Promenade), Comedy of
Errors (Acting Company), Venetian Twins (Pearl Theatre) and Pig
Farm (Roundabout Theatre Company). He has directed regionally at
the Alley Theatre, Old Globe Theatre, Mark Taper Forum, Geffen
Playhouse, Berkshire Theatre Festival, Cleveland Play House and
Philadelphia Theatre Company, among others.
Christopher Jahnke (Orchestrations) orchestrated the
Broadway productions of Legally Blonde, Les Miserables (2006
Revival), Grease (2007 Revival), Cry Baby. Other Orchestrations: A
Man of No Importance, Dessa Rose (Flaherty/Ahrens - Lincoln Center
Theater), Tom Jones (George Stiles/Paul Leigh), Just So (George
Stiles/Anthony Drewe), Chasing Nicolette, Rufus Wainwright at
Carnegie Hall. Symphonic Arrangements for The Broadway Tenors,
Laura Osnes/NY Pops. Dance Music Arranger: The Witches of Eastwick
(London/West End). Music Producer/Supervisor for Bon Jovi
keyboardist David Bryan: Memphis and The Toxic Avenger Musical.
Conductor: Aida (Broadway). Assistant to Orchestrator William David
Brohn: Ragtime, Sweet Smell of Success, The Three Musketeers, Mary
Poppins and Wicked.
Wendy Seyb (Choreographer) Off-Broadway: Walmartopia
(Minetta Lane Theatre). Workshop: Cheer! (Richard Frankel
Productions). Regional: Harry Connick Jr.’s The Happy Elf (Todd
Wehr Theater, WI), The Toxic Avenger (George Street Playhouse, NJ),
The World Goes ‘Round (The Prince Music Theatre, PA). New York
Theater: Such Good Friends (Julia Miles Theatre), But I’m a
Cheerleader (Theatre at St. Clements), School Daze A New Dance
Comedy (37 Arts), Die Hard: The Puppet Musical (45th Street
Theatre). Dance Comedy: Dra Gala hosted by Bill T. Jones, Dance
Theater Workshop, Here, Joyce Soho, Zipper Theatre. Winner of The
Golden Nose Award, Big “E” Award and Innovation Theatre Award
nominee.
www.wendyseyb.com.
Beowulf Boritt (Set Designer) designed The Toxic Avenger for
George Street Playhouse. Broadway: The 25th Annual Putnam County
Spelling Bee , Lovemusik, Jay Johnson: The Two and Only. Off-
Broadway: More than 50 shows including The Last Five Years, Rock of
Ages, Saint Lucy’s Eyes, Hank Williams: Lost Highway, Miss Julie,
MTC, 2nd Stage, MCC, New Group, Keen Co., 2007 & 2008 Ringling
Brothers Circus. Awards: Obie, Audelco, Barrymore, 3 Drama Desk
Noms.
David C. Woolard (Costume Design) Broadway Credits include
West Side Story, Dividing the Estate, The Farnsworth Invention, Old
Acquaintances, Ring of Fire, All Shook Up, 700 Sundays, The Smell
of the Kill, The Rocky Horror Show (2001 Tony Award Nomination),
Voices in the Dark, The Who’s Tommy (1993 Tony and Olivier
nominations), Bells are Ringing, Marlene, Wait Until Dark, Horton
Foote’s The Young Man from Atlanta, Damn Yankees, A Few Good Men.
Recent Credits include The Savannah Disputation and To Kill a
Mockingbird at Hartford Stage.
Kenneth Posner (Lighting Design) On Broadway, he has
designed over 30 plays and musicals,including: The Coast of
Utopia—Shipwreck (2007 Tony, Drama Desk and Outer Critics Circle
Awards); Wicked, Hairspray, Dirty Rotten Scoundrels, Tom Sawyer
(Tony nominations), The Homecoming, Legally Blonde, 2007 revival of
Grease, The Odd Couple, Glengarry Glen Ross,Little Women, The
Frogs, Imaginary Friends, Swing!, Charlie Brown, The Goat, Uncle
Vanya, Side Man, Little Me. Off-Broadway: The Wild Party, The Play
About the Baby, tick, tick….BOOM!, The Waverly Gallery, Pride’s
Crossing, As Bee’s in Honey Drown, Cowgirls, and The Food Chain.
Recipient of the 2000 Obie Award for Sustained Excellence in
Lighting Design.
Kurt Eric Fischer (Sound Designer) Credits: Paul Taylor
Dance Company, Romantic Poetry, (Power House Theater), Carnival
(Kennedy Center), Infinitas (Magnifique Productions), Pippin,
Yankee Doodle Dandy, Wizard of Oz, My Fair Lady ( 5th Avenue
Theater), Marty (Huntington Theater Company), Tell Me On A Sunday
(Kennedy Center), Dorian (Denver Center for the Performing Arts),
Blue (Roundabout - Audelco Award), Linda Eder Debut at Carnegie
Hall (Carnegie Hall), Finian's Rainbow (Coconut Grove
Playhouse/Cleveland Playhouse), Macbeth (New York Shakespeare
Festival), RENT (Broadway/First National Company), and The Music of
Andrew Lloyd Weber (National Tour). Kurt is married to Shawn
McNesby Fischer and has two sons, Scott and Pascal.
John Dods (Prosthetics and special effects designer)
Described by CNN as "one of the world's foremost masters of
disguise,” John Dods has created makeup ranging from the AIDS
victims of the film Longtime Companion to the aliens, vampires, and
zombies of the TV series "Monsters,” to Broadway's Beast in Beauty
and the Beast (1993-2007) and the Frankenstein Monster in Mel
Brooks’ Young Frankenstein. Since 1994, he has produced over 52,000
prosthetic pieces for productions of B&B worldwide. Dods' other
Broadway credits include The Phantom of the Opera, The Scarlet
Pimpernel, and also The Wizard of Oz and A Christmas Carol at
Madison Square Garden. Dods’ creations have appeared on the Tony
Awards, the Academy Awards and on the covers of film and theatre
magazines 24 times.
Mark Adam Rampmeyer (Hair and Make-Up Design) Mark is
thrilled to be part of the TOXIC team here in NY. His designs can
currently be seen in the exciting Broadway revival of West Side
Story. Some favorite productions include The Farnsworth Invention
starring Hank Azaria, The Milk Train Doesn’t Stop Here Anymore with
Olympia Dukakis at Hartford Stage Company and The Importance of
Being Earnest with Lynn Redgrave at Paper Mill Playhouse. He is the
resident designer for the John W. Engeman Theater on Long Island.
Mark would like to thank all who continue to support him on this
journey. *peep*
Rick Sordelet (Fight Director & Illusions) 44 Broadway
shows, including The Lion King, Beauty and the Beast, and The
Addams Family, 45 first class productions all over the world.
Cyrano the opera starring Placido Domingo at the Met, The Royal
Opera House, and La Scala in Milan. Film and TV include The Game
Plan starring Dwayne ‘The Rock’ Johnson, Dan in Real Life and
Hamlet starring Campbell Scott, Rick is head stunt coordinator for
“Guiding Light.” He received the 2007 Edith Oliver Award for
Sustained Excellence by the Lucille Lortel Foundation. Board member
for the Shakespeare Theater of New Jersey, company member of the
Drama Dept. in NYC. Currently teaches at Yale School of Drama, The
New School University, and The Neighborhood Playhouse.
David Debesse (Fight Director) Fight direction credits
include Sakharam Binder (The Play Company), Danny and the Deep Blue
Sea (Second Stage), Wonder of the World (MTC), Pericles (Red Bull
Theatre), Lovers and Executioners (Arena Stage). David has often
assisted Rick Sordelet, including on The Scarlet Pimpernel and
Campbell Scott’s film version of Hamlet. He is also a stunt
coordinator for “Guiding Light.”
Doug Katsaros (Musical Director) has recorded with Frank
Sinatra, Rod Stewart, Gloria Estefan, Sinéad O'Connor, Kiss, Bon
Jovi, Marlo Thomas (Grammy), Donny Osmond, Elton John, Todd
Rundgren and others. He’s written for Ringling Brothers, Macy's 4th
of July and Thanksgiving celebrations, and has conducted the Boston
Pops. He’s composed several film and TV scores and his New York
credits include Footloose (Conductor), Rocky Horror (Orchestrator),
The Life (arranger) Laughing Room Only (Composer), Hair (Star),
A...Alice (Composer), Altar Boyz (Orchestrator) and Just So
(Composer). He lives with composer Elise Morris, his teenage
daughters, and yes, he’s the guy who wrote "By Mennen!"
www.themusicofyourdreams.com
Jean Cheever (Producer) was previously represented on
Broadway as a co-producer of Dirty Rotten Scoundrels (Tony
nominated Best Musical) and All Shook Up (where she had the good
fortune to meet Joe DiPietro and Christopher Ashley). With Tom
Polum, she is co-producing Ashley’s musical documentary Last Call,
about piano bars in New York City, and developing a slate of “small
budget, huge fun” musical comedies. Jean is not from New Jersey but
has great respect for the state and its superheroes.
Tom Polum (Producer) was a co-producer of the first national
tour of Dirty Rotten Scoundrels. In addition to the slate of “huge
fun” musicals (see above!), Jean and Tom are developing several
films and plays. They own and manage Broadway Live Island, a
popular online destination for theatre lovers worldwide, in the
virtual Internet world called Second Life. Tom also works as a
director, a writer (Heloise and Abelard, Finding Frida Kahlo) and
can be heard on the cast recording of Phantom (Kopit/Yeston).
Although not from New Jersey, he adamantly supports the motto:
Jersey rocks!